I’ve already watched Cube. It’s a pretty decent movie. If I want to watch it again, I’ll go get out the DVD. Disappointingly, Stargate Universe (SGU) has been created around the same basic plot: a crew of military and scientific personnell are stranded on an Ancient spaceship travelling to some unknown destination millions of light years from Earth.
It’s the classic “stalled elevator device” which is often used in film and TV dramas: trap your characters in a confined space to force character development. Simple. If you’re pressed for time, throw in a real annoying bastard (such as Robert Carlyle’s character) for some added tension to speed things up. However, after three episodes, SGU hasn’t moved past this basic device. If Wright and Cooper plan on stretching this to multiple seasons, no amount of pit stops on random, cliched planets, or dodging close calls with the Sun will make this format sustainable.
The next logical progression of the Stargate franchise became obvious to me after watching True Blood. Here’s a series in which vampires are “out of the coffin” as they put it, meaning the existence of vamp-kind is a fact, and also public knowledge. The series is thus speckled with parallels to historic struggles for minority equality. This results in a portrayal of the “vampires are real” world which is actually convincing, and believable.
The Stargate franchise needs to burn those NDA’s and just go public already! A few episodes in SG-1 touched on the idea, mostly via trips to planets whose Stargate program has already gone public. The challenge would be to develop this idea beyond “Stargates are glorified airports” while minimising the amount of political drama. District 9 showed us that seemingly far-fetched science fiction concepts can be handled with effective realism by drawing parallels with historical events (e.g. refugees).
At this early stage, I’m ready to applaud the creators for daring to diverge from the classic Stargate format: a power struggle between humans and an oppressive alien force. Defeat one, and another one comes along to replace it, and keep the series going. In SG-1, we had the Go’Ald, the Replicators, and finally the Ori. In Atlantis, it was the Wraith. If SGU reverts back to the power struggle format, I’ll stop watching.
Another potential direction, which would likely be more interesting, could be a prequel of sorts following the “Ancients”, their culture, technology (and the creation of the Stargates), and ultimately their path to ascension. If the series was different enough to its predecessors, it could work. It could explore themes such as “with powerful technology, comes great responsibility”, something we know defines the Ancients, who are always held up as the perfect race. With their superior genetics and technology, ultimate wisdom, and curious intervention restraint, they are an example of something we humans should aspire to become. So let’s see it, already! The ascension story arc could also deal with more “spiritual” themes, which would be something refreshing for the franchise.
All of this sounds rather interesting and I agree that any of the suggestions listed would be infinitely more interesting than what they have going now. The only problem with such powerful story lines as “exploring spirituality” using the Ancients ascension, etal, is that the writers/creators would have to have the confidence and creativity to see it through to its potential. This is where they’ve fallen short for the past six years… failing to explore the potential. Even Atlantis should’ve been enormous for all the set ups they gave us in 12 years of SG-1 and even in the first season of SGA itself. But the creators failed to have the courage to really stand by all of the dramatic power they introduced. They simply gave up.
John