Archive for the 'Text' Category

No Frickin’ Ads.

The Problem

Commercial TV stations disregarding their programming schedule, causing missed PVR recordings and much frustration.

The Solution

A new PVR with minimal user interface, where users select the shows they watch from a list of what’s on, just like a regular PVR. Also provide a web interface similar to IceTV but with keyword and category support. For example, you could set it to record all action movies or record anything with “science” and “documentary” in the description or title.

Each PVR maintains a persistent connection to a server which provides semi-realtime programming corrections. The PVR starts recording the stream way before your show is scheduled to start (we’re talking hours here). When the corrected start time comes through, the PVR trims its recorded file at the timestamp (with a small margin for error, say 30 seconds) then trashes the pre-record safety buffer. It keeps recording until it recieves the corrected end time.

You could even go so far as to have, say 10 digital tuners in the one PVR, so that all streams are constantly recording. Think timeshift on steroids.

But how do we get the data for these programming corrections? That’s the easy part.

Get a few TVs, one set to each channel. Then stick an employee in front of each TV (on a nice comfy couch of course) and give them some big shiny buttons. Their job is to watch TV and click said big shiny buttons when each show starts and finishes. This data would go into the database and then be pushed out to all the PVRs. They would of course have to work in shifts but would be well looked after and fed etc. You may want some spare employees on hand to fill in during toilet breaks. The timecodes would then be reviewed by a second set of employees to ensure frame precision.

With this system in place, we could also have the employees push big shiny “Ad Break Start” and “Ad Break Stop” buttons. This data would also be pushed out to the PVRs who conveniently trim the ad breaks from recordings.

All the while in the background, toiling away in a datacentre, there is an A.I. learning from each employee’s button press. Feeding off those few precious frames, yearning to possess the inate ability that we humans so readily demonstrate while channel surfing: the ability to distinguish instantly between advertising and programming (it’s an evolutionary imperative).

The Future?

Would this finally see the death of TV advertising?  Or would advertisers start making ads that look more and more like TV programs to try and fool the A.I.? But the A.I. has a memory of every ad it’s ever seen, similar to humans. So this may work for the first airing, but not after that. Besides, the server could retrospectively push out timecodes for ads after they were identified, then the PVR would trim out those as well. Or would we just see more invasive pop-ups? To the point where we would have to write a new A.I. to remove pop-ups by interpolating the missing pixels?

Or would we just see an increased shift to watching TV on DVD, or downloading our shows?

The Web’s feeding frenzy

In addition to the traditional website, many news and blog publishers offer their articles in content-only formats called “feeds”, and more people are using feed readers to view this content. This means users are visiting the actual websites less and less. Has the rise of feeds had the effect of devaluing web design? Have we become so obsessed with instant access, no-nonsense content that we’d prefer to read our news in the blandest of surroundings, caring little for the actual presentation? Or have we just shifted our focus towards the content, rather than away from design? Would that be so tragic? Is web design really that important?

Continue reading ‘The Web’s feeding frenzy’

Score:5, Insightful

I just finished reading Phil Lenssen’s fascinating interview with Bonnie Brown, the masseur that worked for Google and has now written a book about her experience. The interview touches on some interesting topics, such as what Googlers think of small talk, the split between pre-IPO and post-IPO employees, and Brown’s own SWS (Sudden Wealth Syndrome) and how she dealt with it.

After reading the interview, I can’t help but think “DO WANT” about her book.

Finally…

Three Slashdot articles spookily caught my attention today. They’re about things that I’ve thought for quite a while should happen. Here we go.

Teachers embracing Wikipedia.

Justice for the ongoing farce that is hard drive sizes.

A consumer 3D printer.

Read At Length

I’m currently reading Memoirs of a Geisha by Arthur Golden, which was adapted to a feature film starring Zhang Ziyi in 2005. The book is a fascinating insight into a whole new world. I’ve only read the first third of the book and I find it hard to put down. The story is a first-person account of Sakamoto Chiyo’s life and her journey to become a Geisha. I would strongly recommend this book to anyone with even the slightest interest in Japanese culture and history. Truly an enlightening read.

Si Reviews The DaVinci Code Movie

davinci_poster.jpgBefore I start, I’ll say this: the book is huge. An accurate film representation would be unbearably long, as seems to be the norm with book to film transpositions these days. The huge wads of detailed history and symbology Brown has included are vital for a true appreciation of the scope of the whole Holy Grail mythology. In my opinion, this is one story that just has to be read to be enjoyed. It just doesn’t work well on film. The film only scrapes the surface of what is a deeply involving story and legendary mythology. As a result, I fear viewers who have not read the book would be confused or even bored by this film. In essence, it feels like the film exists solely to capitalise on the popular DaVinci Code franchise. Hey, there’s even a video game. The story gains little in the translation but a few visuals for those of us who haven’t been to France, or can’t be bothered googling for The Last Supper.

Warning! Spoilers follow!

Continue reading ‘Si Reviews The DaVinci Code Movie’